1/17/2024 0 Comments Tangerine 2015 awardsThat intimacy was enabled by Baker’s decision to eschew conventional equipment in favor of shooting on unobtrusive iPhones outfitted with anamorphic lenses. Taylor, who delivers the film’s most stoic and sensitively nuanced turn, is rather new to the acting game, but you never feel a camera on her. She’s on a first-name basis with every cop in the neighborhood (though they call her Alexander), and aside from Sin‑Dee, the married Armenian taxi driver she blows in a car wash is the closest thing she has to a friend. A proud fixture of Los Angeles’ seediest streets, Alexandra has just started taking the hormones required for her body to catch up with her sense of self, and the vagrant path she cuts across the city palpably conveys the vulnerability of being trans in a world where people cling to their genders for shelter. Most of the story is seen through her eyes as she follows the wake of her colead’s carnage. If Sin-Dee is the boiling blood of Baker’s movie, Alexandra is its beating heart. And so begins a roaring rampage of revenge. (Sin‑Dee’s furious first steps out of the restaurant are appropriately punctuated with blasts of gunfire on the soundtrack.) Adding insult to injury, the girl he’s been sleeping with has a vagina. Enjoying a celebratory snack at Donut Time with her best friend and colleague Alexandra (Mya Taylor), Sin-Dee learns that her pimp boyfriend, Chester (James Ransone), has been sleeping around. Set over the course of a sunbaked Christmas Eve in Southern California, the premise explodes out of the gate: Sin-Dee Rella (Kitana Kiki Rodriguez) is a rambunctious trans prostitute who’s just been unleashed from a 28-day stint in prison. In Amsterdam, she is active in advocacy and health care provision for trans people of colour, homeless trans people and trans refugees.ĪRA is a anti-racism awareness student group initiated by students of Radboud University.A reinvigorating reminder of what indie filmmaking can-and should-do, this bracingly brilliant new movie from writer-director Sean Baker tells an LA story so florid and electric that it feels like a Pedro Almodóvar remake of 'Crank'. She currently works at Female Economy and holds several positions among different NGOs, such as the Trans United Europe, the Global Sex Workers Project and the European Sex Workers Alliance. In his free time he watches bad reality TV and likes to bake.ĭinah Bons (she/her) is a Moluccan trans woman who has been extensively active in the field of sex work, HIV, anti-racism and LGBTQI+ activism. He is active within Nijmegen COC to carry the lhbtiq+ lobby through in politics. He studies political science at Radboud University and shares his opinion about societal problems online. Yusuf Aslaner (he/him) is a 20-year-old queer rights activist. The talk will focus on the experiences of transgender people of colour in the Netherlands. Winner of numerous film awards, many of which went to the actress Mya Taylor (transgender and a former sex worker herself).Īfter the movie, ARA is organizing a conversation between Yusuf Aslaner (he/him) and Dinah Bons (she/her) with an intersectional, decolonial approach. This raw comedy drama was shot on three iPhones (and still looks amazing). Through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity. Upon hearing that her pimp boyfriend hasn’t been faithful during theĢ8 days she was locked up, she and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumour. It’s Christmas Eve in Tinseltown and the transgender sex worker Sin-Dee is back on the block.
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